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Crane was inspired by Botticelli’s painting Birth of Venus from the 1480s. The compositions are similar. Both show Venus, the Roman goddess of love, emerging from the sea after her birth as a fully-grown woman. Like Botticelli, Crane painted with tempera, a medium made from coloured pigment and egg yolk. At his wife Mary's request, rather than draw from a female model, Crane used a male model, Alessandro di Marco, for the body of Venus.

Art By Walter Crane

The Renaissance of Venus - Walter Crane - Renaissance Painting

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The Renaissance of Venus - Walter Crane - Renaissance Painting Poster
Rolled • - 17x12 inches

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The Renaissance of Venus - Walter Crane - Renaissance Painting Poster
Framed • - 17x12 inches

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The Renaissance of Venus - Walter Crane - Renaissance Painting Art Print
Rolled • 12x9 inches

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The Renaissance of Venus - Walter Crane - Renaissance Painting Art Print
Rolled • 18x14 inches

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The Renaissance of Venus - Walter Crane - Renaissance Painting Canvas Print
Rolled • 12x9 inches

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The Renaissance of Venus - Walter Crane - Renaissance Painting Canvas Print
Rolled • 18x14 inches

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The Renaissance of Venus - Walter Crane - Renaissance Painting Canvas Print
Wrapped • 12x9 inches

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Compact Size

Compact Size

The Renaissance of Venus - Walter Crane - Renaissance Painting Canvas Print
Wrapped • 18x14 inches

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Small Size

Small Size

The Renaissance of Venus - Walter Crane - Renaissance Painting Canvas Framed Print
Framed • 12x9 inches

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Compact Size

Compact Size

The Renaissance of Venus - Walter Crane - Renaissance Painting Canvas Framed Print
Framed • 18x14 inches

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Small Size

The Renaissance of Venus - Walter Crane - Renaissance Painting Framed Print
Framed With Mat • 12x9 inches

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Compact Size

Compact Size

The Renaissance of Venus - Walter Crane - Renaissance Painting Framed Print
Framed With Mat • 18x14 inches

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Crane was inspired by Botticelli’s painting Birth of Venus from the 1480s. The compositions are similar. Both show Venus, the Roman goddess of love, emerging from the sea after her birth as a fully-grown woman. Like Botticelli, Crane painted with tempera, a medium made from coloured pigment and egg yolk. At his wife Mary's request, rather than draw from a female model, Crane used a male model, Alessandro di Marco, for the body of Venus.

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