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October on Cape Cod presents a suspended narrative, which simultaneously entices and rebuffs the viewer, creating the tension and anticipation that are characteristic of Hopper's best works. Here, Hopper creates a shallow, stage-like pictorial space, using the impenetrable wall of trees to vexingly focus attention on the foreground. The scene operates much like a film still, a single vision isolated from an overarching narrative, creating a yearning in the viewer. This is underscored by the subject itself, which is common enough to feel familiar, and yet rendered in such an anonymous fashion so as to make it feel foreign, creating a continuously engaging dichotomy as the viewer tries to reconcile him or herself with the emotions that the scene evokes.

Cape Cod in October

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Cape Cod in October Poster
Rolled • 17x12 inches

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Cape Cod in October Poster
Framed • 17x12 inches

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Cape Cod in October Art Print
Rolled • 12x8 inches

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Cape Cod in October Art Print
Rolled • 18x11 inches

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Cape Cod in October Art Print
Rolled • 24x15 inches

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Cape Cod in October Art Print
Rolled • 30x19 inches

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Cape Cod in October Canvas Print
Rolled • 12x8 inches

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Cape Cod in October Canvas Print
Rolled • 18x11 inches

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Cape Cod in October Canvas Framed Print
Framed • 12x8 inches

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Cape Cod in October Canvas Print
Wrapped • 12x8 inches

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Medium Size

Medium Size

Cape Cod in October Canvas Print
Rolled • 24x15 inches

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Cape Cod in October Canvas Print
Wrapped • 18x11 inches

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Large Size

Large Size

Cape Cod in October Canvas Print
Rolled • 30x19 inches

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Compact Size

Compact Size

Cape Cod in October Canvas Framed Print
Framed • 18x11 inches

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Medium Size

Medium Size

Cape Cod in October Canvas Print
Wrapped • 24x15 inches

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Medium Size

Medium Size

Cape Cod in October Canvas Framed Print
Framed • 24x15 inches

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Large Size

Large Size

Cape Cod in October Canvas Print
Wrapped • 30x19 inches

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Large Size

Large Size

Cape Cod in October Canvas Framed Print
Framed • 30x19 inches

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Small Size

Small Size

Cape Cod in October Framed Print
Framed with Mat • 12x8 inches

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Compact Size

Compact Size

Cape Cod in October Framed Print
Framed with Mat • 18x11 inches

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Medium Size

Medium Size

Cape Cod in October Framed Print
Framed with Mat • 24x15 inches

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Large Size

Large Size

Cape Cod in October Framed Print
Framed with Mat • 30x19 inches

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Cape Cod in October Poster
Rolled • Life Size 24X33 inches

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Large Size

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Cape Cod in October Poster
Framed • Life Size 24X33 inches

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Cape Cod in October Large Canvas Print
Rolled • 36x22 inches

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Cape Cod in October Large Canvas Print
Wrapped • 36x22 inches

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X-Large Size

X-Large Size

Cape Cod in October Large Framed Print
Framed With Mat • 36x22 inches

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October on Cape Cod presents a suspended narrative, which simultaneously entices and rebuffs the viewer, creating the tension and anticipation that are characteristic of Hopper's best works. Here, Hopper creates a shallow, stage-like pictorial space, using the impenetrable wall of trees to vexingly focus attention on the foreground. The scene operates much like a film still, a single vision isolated from an overarching narrative, creating a yearning in the viewer. This is underscored by the subject itself, which is common enough to feel familiar, and yet rendered in such an anonymous fashion so as to make it feel foreign, creating a continuously engaging dichotomy as the viewer tries to reconcile him or herself with the emotions that the scene evokes.

Edward Hopper is widely acknowledged as the most important realist painter of twentieth-century America. Hopper derived his subject matter from two primary sources: one, the common features of American life (gas stations, motels, restaurants, theatres, railroads, and street scenes) and its inhabitants; and two, seascapes and rural landscapes.   No one captured the isolation of the individual within the modern city like Edward Hopper. His imagery of figures within urban settings go well beyond their role as modern cityscapes, exposing the underbelly of the human experience. His work demonstrates that realism is not merely a literal or photographic copying of what we see, but an interpretive rendering.

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